{"id":2050,"date":"2021-04-13T14:46:06","date_gmt":"2021-04-13T12:46:06","guid":{"rendered":"https:\/\/www.mbal.ch\/expo\/rudy-deceliere\/"},"modified":"2024-10-23T14:00:50","modified_gmt":"2024-10-23T12:00:50","slug":"rudy-deceliere","status":"publish","type":"exposition","link":"https:\/\/www.mbal.ch\/en\/expo\/rudy-deceliere\/","title":{"rendered":"Rudy Deceli\u00e8re"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\">Perm\u00e9abilit\u00e9 magn\u00e9tique du vide #2<\/h1>\n\n\n\n<p>The installation of Rudy Deceli\u00e8re (Switzerland\/France, 1979) consists of large dry grasses that quiver thanks to magnets and a network of copper wires. It is experienced through the sounds and vibrations it generates with the paintings of the MBAL collection.<\/p>\n\n\n\n<p>Rudy Deceli\u00e8re&#8217;s interest lies in the translation of imperceptible phenomena through perceptual sound experiences. He makes electric and electromagnetic fields audible, and never stops exploring the thresholds of what is perceptible.<br>At the crossroads of nature and mechanics, of scientific formulation and poetic evocation, Perm\u00e9abilit\u00e9 magn\u00e9tique du vide #2 evokes an island of semi-artificial grassland, whose tall grasses sway in the wind. Each blade of grass, dried and then surrounded by a magnet, is then placed in front of a copper coil. The wires are then connected to each other, diffusing the acoustic characteristics of a landscape. Rudy Deceli\u00e8re continues his reflection on sounds and the relationship or limits they have with space and place. By playing with the movement of these tall grasses to create this barely perceptible, continuously broadcast sound atmosphere, the artist invites the visitor to take the time to let himself be carried along, to listen and to feel. His work is nourished here by the extreme intensity of the silence of the mountain, in all its invisibility, mystique, sublimity, disquiet and magic.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Biographie<\/h2>\n\n\n\n<p>Rudy Deceli\u00e8re, graduated of the \u00c9cole des Beaux-Arts de Gen\u00e8ve &#8211; now the Haute \u00e9cole d&#8217;art et de design (HEAD) &#8211; where he settled at the end of the 1990s, explores sound art mainly through the medium of installation. His work has been the subject of solo exhibitions in various Swiss cultural institutions such as the Ferme Asile in Sion, the Kunstmuseum in Olten, the CERN in Geneva, the Mus\u00e9e Jenisch in Vevey and the Abbatiale de Bellelay.<\/p>\n","protected":false},"featured_media":2150,"template":"","class_list":["post-2050","exposition","type-exposition","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rudy Deceli\u00e8re - MBAL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mbal.ch\/en\/expo\/rudy-deceliere\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rudy Deceli\u00e8re - MBAL\" \/>\n<meta property=\"og:description\" content=\"Perm\u00e9abilit\u00e9 magn\u00e9tique du vide #2 The installation of Rudy Deceli\u00e8re (Switzerland\/France, 1979) consists of large dry grasses that quiver thanks to magnets and a network of copper wires. 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